All James Tissot 's Paintings
The Painting Names Are Sorted From A to Z


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Choice ID Image  Paintings (From A to Z)       Details 
97678 Thames  Thames   1871-72 Medium oil on canvas Dimensions 92.7 x 60.3 cm cyf
51695 The Annunciation  The Annunciation   nn09 c.1886-96 Watercolor and gouache on paper
81626 The Artists' Wives  The Artists' Wives   Date 1885(1885) Medium Oil on canvas cjr
11167 The Ball  The Ball   undated 2' 11 1/2 x 1' 7 3/4''(90 x 50 cm) Bequest of William Vaughan,1919
80917 The Ball  The Ball   Date 1880(1880) Medium Oil on canvas Dimensions 90 x 50 cm (35.4 x 19.7 in)
61089 The Bridesmaid,  The Bridesmaid,   The Bridesmaid, 1883-83
22867 The Bunch of Lilacs (nn01)  The Bunch of Lilacs (nn01)   oil on canvas,20 x 14 in/50.8 x 35.6 cm Richard Green Gallery,London
1672 The Captain's Daughter  The Captain's Daughter   1873 Southampton City Art Gallery
22861 The Captain's Daughter (nn01)  The Captain's Daughter (nn01)   Oil on canvas,28 1/2 x 41 1/4 in/72.4 x 104.8 cm Southampton City Art Gallery
70743 The Confidence  The Confidence   Medium Oil on canvas
81154 The Dreamer  The Dreamer   Date 1871(1871) Medium Oil on canvas Dimensions 34.9 x 60.3 cm (13.7 x 23.7 in) cjr
11166 The Dreamer(Summer Evening)  The Dreamer(Summer Evening)   undated 1' 1 1/2 x 1' 11 1/4''(34 x 59 cm) Bequest of William Vaughan,1919.
85510 The Farewell  The Farewell   Date 1871(1871) Medium Oil on canvas cjr
22850 The fashionable woman in contemporary Socicty (nn01)  The fashionable woman in contemporary Socicty (nn01)   as exemplified by At the Rifle Range (1869)
22847 The Ferry (nn01)  The Ferry (nn01)   c 1878 Tissot's Photograph of himself with Kathleen Newton and her children was the inspiration for his Waiting for the Ferry
61082 The Gallery of H.M.S.  The Gallery of H.M.S.   The Gallery of H.M.S. 'Calcutta' (Portsmouth), 1877
1647 The Gallery of HMS Calcutta  The Gallery of HMS Calcutta   1877 Tate Gallery, London
22872 The Gallery of Hms Callcutta (Portsmouth) (nn01)  The Gallery of Hms Callcutta (Portsmouth) (nn01)   oil on canvas,27 x 36 1/4 in /68.6 x 92.1 cm Tate Gallery,London
61087 The Garden Bench,  The Garden Bench,   The Garden Bench, 1882
81615 The Ladies of the Cars  The Ladies of the Cars   Date 1883-1885 Medium Oil on canvas cjr
1673 The Last Evening  The Last Evening   1873 Guildhall Art Gallery, London
82080 The Last Evening  The Last Evening   Date 1873(1873) Medium Oil on canvas cjr
22860 The Last Evening (nn01)  The Last Evening (nn01)   oil on canvas,28 x 40 in/71.1 x 101.6 cm Guilhall Art Gallery,London
22875 The Letter (nn01)  The Letter (nn01)   c 1876-78 Oil on canvas,28 1/4 x 42 1/4 in /71.8 x 107.3 cm National Gallery of Canada,Ottawa
54090 The Newspaper  The Newspaper   mk235 1883 Oil on canvas 63x50cm
54103 The painters and their Waves  The painters and their Waves   mk235 c.1885 146x101.7cm Oil on canvas
82046 The Prodigal Son in Modern Life  The Prodigal Son in Modern Life   Date c.1882 Medium Oil on canvas cjr
56312 the reception  the reception   mk247 1883 to 85,oil on canvas,albright knox art gallery,buffalo,ny,usa
22859 The Return From the Boating Trip (nn01)  The Return From the Boating Trip (nn01)   oil on canvas,24 x 17 in/60.9 x 43.2 cm Private collection
22843 The Return of the Prodigal Son (nn01)  The Return of the Prodigal Son (nn01)   Tissot's 1862 painting le retour de l'enfant prodigue (The Return of the Prodigal Son) Places the biblical story in a Leys-Inspired medieval setting
81314 The Shop Girl  The Shop Girl   Date 1883-1885 Medium Oil on canvas Dimensions English: 146.1 x 101.6 cm cjr
51799 THe Staircase  THe Staircase   mk221 1869 Oil on wood 55.9x38.1cm
81625 The Tedious Story  The Tedious Story   Date c.1872 Medium Oil on canvas cjr
83454 The Thames  The Thames   Date c.1876 Medium Oil on canvas cjr
22869 The Thames (nn01)  The Thames (nn01)   Oil on anvas,28 1/2 x 42 1/4 in/72.7 x 107.3 cm Wakefleld Art Gallery and Museums
11162 The Two Sisters;Pprtrait  The Two Sisters;Pprtrait   or Prtraits in a Park
81621 The Woman of Fashion  The Woman of Fashion   Date 1883-1885 Medium Oil on canvas cjr
22844 Tissot in an artist's studio (nn01)  Tissot in an artist's studio (nn01)   painted in 1868 by Degas,a friend from his student days
1671 Too Early  Too Early   1873 Guildhall Art Gallery, London
82079 Too Early  Too Early   Date 1873(1873) Medium Oil on canvas cjr
22862 Too Early (nn01)  Too Early (nn01)   oil on canvas,28 x 40 in/71.1 x 101.6 cm Guildhall Art Gallery,London
81707 Two Sisters  Two Sisters   Date 1863(1863) Medium Oil on canvas Dimensions 210 x 136 cm cjr
1652 Une Veuve  (A Widow)  Une Veuve (A Widow)   1868
1653 Une Veuve  (A Widow)  Une Veuve (A Widow)   1868
81617 Waiting for the Ferry  Waiting for the Ferry   Date c.1878 Medium Oil on canvas cjr
61095 What Our Saviour Saw from the Cross  What Our Saviour Saw from the Cross   What Our Saviour Saw from the Cross
81659 Without a Dowry aka Sunday in the Luxembourg Gardens  Without a Dowry aka Sunday in the Luxembourg Gardens   Date 1883-85 Medium Oil on canvas cjr
85673 Women of Paris  Women of Paris   Date 1883-1885 Medium Oil on canvas Dimensions English: 147.2 x 101.6 cm cjr
1654 Young Ladies Looking at Japanese Objects  Young Ladies Looking at Japanese Objects   1869 Cincinnati Art Museum
84951 Young Ladies Looking at Japanese Objects  Young Ladies Looking at Japanese Objects   Date 1869(1869) Medium Oil on canvas Dimensions 70.5 x 50.2 cm (27.8 x 19.8 in) cjr
71751 Young Lady in a Boat.  Young Lady in a Boat.   1870(1870) Oil on canvas
85508 Young Women Looking at Japanese Objects  Young Women Looking at Japanese Objects   Date c.1869-1870 Medium Oil on canvas cjr

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James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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